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适合中等水平钢琴演奏者的10首肖邦前奏曲

发表时间:2019-03-04 00:00:00  来源:野望文存  浏览:次   【】【】【

Prélude No. 1 Philippe Giusiano - Chopin - Préludes op.28 & Sonate En Si Mineur op.58


Top 10 Chopin Preludes for Intermediate Pianists

适合中级钢琴家10首肖邦前奏曲

By Steven Paszkowski


The word Prelude has many definitions. This definition changes based on what time period we are in, and if we are talking about a secular or sacred setting. In Church, a sacred setting, the Prelude is the first piece of music to be played to introduce the service. It has been this way for hundreds of years now. In secular music, the Prelude has evolved over time.

前奏曲一词有许多含义,取决于我们所处的时代以及我们是在谈及一个神圣还是世俗的语境。在教会的宗教语境里,前奏曲是为了引入礼拜而演奏的第一首音乐,几百年来一直如此。在世俗音乐中,前奏曲的含义也随时代而演变。

In the 17th century the Prelude, or Preludes, were short pieces to introduce longer more complex works that are to be played. In the Romantic era, Preludes became stand alone pieces that were meant for study on specific techniques or emotions.Chopin wrote 24 Preludes in the Op. 28 series, published in 1839, which cover all the Major and Minor keys in music, progressing by the Circle of Fifths.

在17世纪,它们是用来引入更长或更复杂作品而演奏的短篇作品。而在浪漫主义时期,前奏曲成为独立的作品,用于研究特定的一些技巧或情感。

Fantasy-Impromptu In C Sharp Minor, Op. 66 Valery Vishnevsky - Classical Study Music: Concentrate with Chopin


Our study of the preludes have been selected in the order of easiest to hardest technically. However, the point of study on these pieces is to help develop not only our technical skills, but our understanding of expressing different emotions. You will notice that most of these pieces have very little pedal markings, but it has been stated by Chopin's pupils, and contemporaries, that he always used the damper pedal very lightly.

肖邦在作品28号包括第二十四首前奏曲,出版于1839年。它们覆盖了音乐中所有的大调和小调,以五度循环的方式排序。下面,我们以技巧上从易到难的顺序来学习其中的10首。学习这些作品的目的不仅是为了提高我们的技巧,也是为了帮助我们理解不同的情感表达方式。你会注意到这些作品大都只有很少的踏板记号,但肖邦的学生和同时代人都说他总是非常轻微地使用制音踏板(damper pedal)。

Technically the easiest prelude, but quite emotionally challenging. This piece is as simple as it gets, and in result it is easy to express in an over dramatic way. The key to this study is learning and playing with simplicity.

这是技巧上最简单的一首前奏曲,但情感表达上有一定挑战性。这首曲子本身十分简单,但容易被演绎得过于戏剧性。我们练习的关键是把它演奏得简洁。


导赏


*曲目依照从易到难顺序排列

Chopin--Prelude, Op.28 No.7 in Claudio Arrau - Claudio Arrau: III- Great Pianists of the 20th Century


第七首前奏曲

Prelude Op 28. No.7


Technically the easiest prelude, but quite emotionally challenging. This piece is as simple as it gets, and in result it is easy to express in an over dramatic way. The key to this study is learning and playing with simplicity.

这是技巧最简单的一首前奏曲,但情感表达上有一定挑战性。这首曲子本身十分简单,但容易被演绎得过于戏剧性。我们练习的关键是把它演奏得简洁。

Chopin - Prelude No. 20, Op. 28 in C minor Martha Argerich - Great Pianists of the 20th Century  Vol. 03 Martha Argerich II CD 1


第二十首前奏曲

Prelude Op 28. No.20


Extremely dramatic, with very simple harmonic movement in C minor. This study offers us an introduction to fundamental harmonic knowledge in minor and a great way to vent agony, distress, frustration, annoyance, etc.

这首c小调乐曲极富戏剧性且和声简单。这首曲子向我们展示了小调上基础的和声知识,也是一种宣泄痛苦、悲伤、沮丧与烦恼等情感的很好的方式。

Chopin--Prelude, Op.28 No.4 in Claudio Arrau - Claudio Arrau: III- Great Pianists of the 20th Century


第四首前奏曲

Prelude Op 28. No.4

A piece of depression, with a grand cry for help only to be defeated. This study offers us great control of our left hand, while projecting a repetitive monophonic melody. The challenge of this piece is to keep interest with so much repetition.

这是一首抑郁消沉的曲子,仿佛一直在哭喊求助,但最终还是希望落空。向我们展示了对左手的良好控制,同时投射出一个重复、单一的旋律。这首曲子的挑战在于把如此多的重复演奏得饶有兴味。

Chopin--Prelude, Op.28 No.6 in Claudio Arrau - Claudio Arrau: III- Great Pianists of the 20th Century


第六首前奏曲

Prelude Op 28. No.6


Similar in emotion to No. 4, but more melodic, and the hands switch roles. Although this piece does not have pedal markings, the pedal must still be applied very lightly. This will result in a little bit of reverb helping the overall flow and legato of both the right and left hand. Be very careful not to accent the thumb!

这首前奏曲与第四首前奏曲的情感相似,但更富旋律性,并且双手要交换角色。虽然这首曲子没有踏板记号,我们还是可以非常轻微地使用踏板,这会带来一点混响,有助于体现整体的流动感与左右手的连奏。注意不要把拇指弹得太响!

Chopin--Prelude, Op.28 No.9 in Claudio Arrau - Claudio Arrau: III- Great Pianists of the 20th Century


第九首前奏曲

Prelude Op 28. No.9


A very romantic piece and should be expressed as so. Chopin was in love during the time of these compositions with a woman named George Sand, and this must have been a good day for him! The pinky must keep the melody projected and expressive over the underlining harmony. If not, then the piece just sounds like a bunch of basic chord changes.

这首曲子非常浪漫,也应该被浪漫地演绎。在写这些曲子的时候,肖邦正与一名叫乔治·桑(George Sand)的女人恋爱,这些日子他一定十分幸福!右手小拇指必须一直保持在下方的和声之上有表现力地奏出旋律。否则整首曲子听起来就会像一堆基础和弦的变化。

Chopin--Prelude, Op.28 No.2 in Claudio Arrau - Claudio Arrau: III- Great Pianists of the 20th Century


第二首前奏曲 


Prelude Op 28. No.2

To me this piece feels like damp weather. In fact, Chopin left Paris for a period of time during these compositions to escape the damp winter weather of Paris. The focus of this study is to pivot with the left hand on the second and third finger, keeping the chords legato without the use of the pedal! Then this very simple, but powerful, melody must sustain throughout.

对我来说,这首曲子感觉像潮湿的天气。但事实上在写这些曲子的时候,肖邦离开了巴黎一段时间来逃离巴黎潮湿的冬天。此曲练习的焦点在于在左手食指、中指上翻转左手,不用踏板但保持和弦的连奏,并且右手简单而有力的旋律必须由始至终延续。

F.Chopin. Prelude No.15 in D-flat major, Op.28 (Raindrops) Orchestra Of New Classics - Classics In The Pop Of Treatments. Chopin - The Best


第十五首前奏曲

Prelude Op 28. No.15


Also known as “Raindrop,” this piece is extremely romantic, with a dark twist in the middle. It is not very hard to play, it's just a bit long compared to the rest. There are only a few spots that will require a little bit of extra focused practice. It will help tremendously to study the scales Db Major and E Major prior.

本曲又名“雨滴”。这首曲子极为浪漫,在中部有一个阴沉的转折。它并不难演奏,只是相比其他曲子长了一些,只有几个地方需要一点额外的专门练习。在弹此曲前练习一下降D大调和E大调音阶会有很大帮助。

Chopin Prelude No. 1 'Agitato' Julian Lawrence Gargiulo - Preludes - Live from Italy


第一首前奏曲

Prelude Op 28. No.1

The first in this list that requires a little bit more advanced technique. However, we are prepared! The left hand must pivot on the second and third fingers, while the right hand sings the first and last note of the measure. Really focus on the second beat of each measure. If the two notes are not played together it will sound sloppy. Don’t forget to breath!

这是这个列表里第一首需要一点更进阶技术的曲子。左手必须在食指和中指上翻转,右手则要每个小节从头至尾有歌唱性。需要注意每小节的第二拍,如果两个音符没有一起演奏,听起来就会松散。别忘了呼吸!

Chopin--Prelude, Op.28 No.3 in Claudio Arrau - Claudio Arrau: III- Great Pianists of the 20th Century


第三首前奏曲

Prelude Op 28. No.3

Do not be intimidated by the “required” speed of this piece. It is simply a pattern that repeats itself starting on a different note. This piece is going to offer us a great study for the left hand. You will literally feel your technique developing the more you practice this piece. The speed will come in time with proper, consistent practice.

别被这首曲子的“规定”速度吓到。它只是一个不断重复的模式,只不过每次以不同的音开始。这首曲子会给我们很好地左手练习。越弹这首曲子,你就越会切实地感觉到你的技巧在进步。只要坚持以正确的方式持之以恒地练习,速度自然会上来。

Frederic Chopin - Prelude, Op. 28, No. 10 Ronald Hawkins - Journey


第十首前奏曲

Prelude Op 28. No.10


Same concept as No. 3, but now for the right hand. This piece feels pretty good in your hands once you learn your notes. Once again, do not worry about the speed. The purpose for this study is to teach your right hand great fluidity, having freedom down the whole keyboard.

与第三首前奏曲类似,不过本曲练习的是右手。只要把所有音符解决了,这首曲子弹起来会得心应手。同样地,不要担心速度。这个练习的目的在于训练右手良好的流动性,在整个键盘上自由来回。


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Mazurkas, Op. 17: No. 4 in A Minor Khatia Buniatishvili - Les 50 Trésors de Chopin - Les Trésors de la Musique Classique Étude in C-Sharp Minor, Op. 25 No. 7 (升C小调练习曲,作品25之7) Khatia Buniatishvili - Motherland

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